bill frisell further east further west rar

Bill Frisell Further East Further West Rar Download Series Is
Bill Frisell Further East Further West Rar Series Is Offered
Bill Frisell Further East Further West Rar How To Remain Viable

Clearly an especially good night for Frisell, this solo performance dovetails nicely with the more recently released DVD, Solos (Original Spin, 2010).

Bill Frisell Further East Further West Rar How To Remain Viable

Special projects abound, or personnel changes for a tour are forced when members of a regular group are unavailable, the plight of the 21st century working musician being how to remain viable and available.

Of course, its not necessarily a problem, because regardless of the reason, it means that todays leader ends up touring in more combinations than could ever be documented through normal channelsand some of these special, one-timeone-tour projects yield tremendous goldeven leading to further collaboration.

Bill Frisell Further East Further West Rar Download Series Is

Fans of sonic guitar sculptor Bill Frisell guitar, electric b.1951 data-original-title title Bill Frisell can rejoice, as the Live Download Series is making available a growing catalog of high quality soundboard recordings of performances by groups that have been documented on commercial albums, like the guitarists first quartet, with cellist Hank Roberts cello b.1954 data-original-title title Hank Roberts, bassist Kermit Driscoll bass b.1956 data-original-title title Kermit Driscoll and drummer Joey Baron drums b.1955 data-original-title title Joey Baron; the sextet responsible for one of Frisells compositional high water marks, This Land (ElektraNonesuch, 1994); and his early 21st century trio, with bassist Tony Scherr and drummer Kenny Wollesen drums data-original-title title Kenny Wollesen.

Frisells sole solo album to date, Ghost Town (Nonesuch, 2000), was a studio concoction that relied on the guitarists ability to overdub layers of instruments.

As undeniably good as that album is, it cant possibly convey the beauty of Frisells solo shows where, alone onstagein real time, and with nothing but a guitar, two amps, and a mixed bag of effectshe builds sound worlds as distinctive as his idiosyncratic approach to harmony and melody, and his skewed but somehow reverent interpretation of own compositions, and everything from jazz standard to roots Americana music.

Culled, as they are, from soundboard recordings, Frisells Live Download Series also transcends the quality of the majority of bootlegs out there.

Bill Frisell Further East Further West Rar Series Is Offered

With a CD label, cover art, tray cards and, on occasion, additional video content, the series is offered in three formats: MP3 and AAC for those OK with some degree of compression, to reduce download time and storage space; and, for the compression-averse, a slightly more expensive but lossless FLAC format, to provide CD quality sound (free FLAC-to-WAV converters are readily available on the web).

Beginning in November, 2008, the series has ramped up to the point where, with 13 downloadable shows released to datein addition to outtakes from the Bill Frisell, Ron Carter, Paul Motian (Nonesuch, 2006) sessions and additional recordings from the live shows used for EastWest (Nonesuch, 2005)SonglineTonefield Productions is now releasing a new show roughly every two months.

The most recent download is from a particularly strong 2000 show with Frisells then-new trio, with Scherr and Wollesen.

For pathological Frisell followers, theres not a weak performance amongst the bunch; for more casual fans, theres the opportunity to cherry-pick, to check out specific groupings or repertoires of interest.

Bill Frisell 001: Recorded Live in Bochum, Germany 052204 SonglineTonefield Productions 2009 The Live Download Series kicks off with a group thats never seen the light of day on record, but consists of a combination of longtime friends and then-new acquaintances, who would go on to become regulars in the ensuing years.

Unspeakable (Nonesuch), Frisells Grammy Award -winning, turntable and sample-driven collaboration with producer Hal Willner, but theres none of that albums material to be found on this performance with Jenny Scheinman, cornetist Ron Miles cornet data-original-title title Ron Miles, bassist Viktor Krauss data-original-title title Viktor Krauss and drummer Matt Chamberlain.

The quintets version of the folksy Lonesome is more buoyant than either the original, acoustic guitar-driven version on Lookout for Hope, or the more electrified take on Gone, Just Like a Train, with Scheinmans solo an early reason why shed quickly become a regular collaborator.

Theres also an early appearances of alt-folker Lucinda Williams lyrical Ventura, which has never appeared on a commercial Frisell release; ditto Bob Dylan voice vocals b.1941 data-original-title title Bob Dylan s Masters of War, which shows up on other Download Series releases.

Driven by Chamberlains firm backbeat, its a showcase for Frisells remarkable interpretive ability to take a simple song and, through his quirky, outr harmonies and jagged, distorted tone, turn it into a potent show-stopper and set closer.

By 2007, Frisell had honed his ability to self-accompany with looping to such a sophisticated extent that its hard to believe theres only one guitarist delivering a subtle but attention-grabbing version of Curtis Mayfields classic, A Change is Gonna Come.

Frisells remarkable patience allows the songs form to evolve slowly, almost inevitably, with his warm toneexpanded by plenty of reverbmaking even the moments where he is playing without loops rich and room-filling, even at low volumes.

Since Frisell released the award-winning Nashville an album that drew no small line in the sand for the guitarist, as he seemed to desert the more angular direction of his previous albums in favor of eminently lyrical and structurally simplified Americana (there is, however, often far more to his seemingly simple music than meets the eye).

Frisell comes under fire, periodically, for deserting jazz, even though it would have been impossible to record an album like Nashville without the broader vernacular hed developed from his earliest days, with saxophonist Jan Garbarek saxophone, tenor b.1947 data-original-title title Jan Garbarek and bassist Arild Andersen bass, acoustic b.1945 data-original-title title Arild Andersen.

He continues to pay tribute to personal favorites, like pianist Thelonious Monk piano 1917 - 1982 data-original-title title Thelonious Monk, on albums like Bill Frisell, Ron Carter, Paul Motian, and here he delivers a solo version of Crepuscule With Nellie thats homage in its wry edge, but all Frisell in its chocolaty-rich warmth.

There are no loops here; just Frisell with no shortage of reverb to fatten up the sound, managing a remarkable feat of self-accompaniment, largely through implication.

Frisell similarly turns Monks Evidence into a surprising mlange of dense voicings and languid single-note phrases, later in the set.

Frisell also turns to Stephen Foster for a look at Hard Times, first recorded by the guitarist on the rather unexpected Bill Frisell with Dave Holland bass b.1946 data-original-title title Dave Holland and Elvin Jones drums 1927 - 2004 data-original-title title Elvin Jones (Nonesuch, 2001); unexpected because, rather than being the hard-swinging jazz session most were anticipatingJones inspiring the guitarist to deliver his first jazz record in five yearsit, instead, drew the legendary bassist and drummer into Frisells sound world.